March 14

Columbia University New York, NY

Hu Xiaofang discusses "The Spread of Chinese Culture through Digital Technology," highlighting how digital platforms and social media have revolutionized the way Chinese culture is shared and perceived globally. She provides examples of digital museums, online festivals, and virtual reality experiences that allow people from different parts of the world to immerse themselves in Chinese traditions and arts.

Tian Fengyin's presentation on "The Great Wall and International Cultural Exchange" explores the Great Wall's significance not just as a symbol of China's historical defense mechanisms but also as a conduit for cultural exchange. She examines the Wall's role in tourism, international collaborations for preservation, and its representation in global media, discussing how these aspects foster a deeper understanding and appreciation of Chinese heritage.

Ding Xingyue delves into "Analyzing the Theoretical Differences between Chinese and Western Medicine from a Philosophical Perspective." She compares the foundational philosophies of Traditional Chinese Medicine (TCM) and Western medicine, focusing on concepts of balance, harmony, and the holistic approach in TCM versus the more mechanistic and reductionist approach in Western medicine. Ding argues that integrating both can lead to more comprehensive healthcare strategies.

Liu Xiao's report on "The Inheritance and Spread of Tea Culture" traces the historical evolution of tea culture in China and its spread across the globe. She discusses the ceremonial aspects of tea drinking, the art of tea-making, and the social significance of tea gatherings. Liu also touches on the role of tea in promoting cross-cultural understanding and friendship.

Ma Limin presents "Trends in the Development of Chinese Modern Sculpture Art," where he examines the evolution of sculpture in China from traditional forms to contemporary expressions. He highlights the influence of international styles and the search for a unique Chinese identity in modern sculpture, showcasing prominent artists and their works that reflect societal changes and artistic innovation.

Zhang Yuanyuan revisits the theme of "The Spread of Chinese Culture through Digital Technology" but focuses on the impact of digital innovations on traditional arts. She discusses how digitalization has provided new platforms for the preservation and rejuvenation of ancient Chinese art forms, such as calligraphy, painting, and music, making them more accessible to younger generations and international audiences.

Han Guowei's discussion on "The Great Wall and International Cultural Exchange" emphasizes collaborative efforts in conservation and the sharing of knowledge and technologies between China and other countries. He showcases projects that involve international experts in the restoration of the Great Wall and educational programs that aim to raise awareness about its historical and cultural importance.

Wang Jianping ends with "Family Culture Construction," exploring the role of family in the transmission and preservation of cultural values. He discusses how family traditions, stories, and rituals contribute to the individual's cultural identity and the importance of these practices in maintaining cultural continuity amidst modernization and globalization.

These presentations collectively offer a multifaceted view of the dynamics between tradition and modernity in Chinese culture, the global impact of its rich heritage, and the pathways through which it continues to evolve and spread across borders.